Nylon Brush Threads High-Quality Nylon Threads for Marbling Art Marbling artists usually wrap their own brushes. To achieve the best wrapping process, they need durable and high-quality threads. Nylon threads of 0.35 mm, 0.5 mm, and 0.7 mm thickness are used for wrapping marbling brushes, enhancing their durability and longevity. The Importance of Nylon Threads These threads are preferred for securely fastening horsehair bristles to rosewood handles. Advantages Durability: Resistant to water and paint. Strong grip: Firmly holds brush bristles in place. Flexibility: Thin yet strong for long-term use. Especially the 0.7 mm thick nylon thread helps maintain the ideal form of the brush. Choosing quality materials is important, and using the right thread ensures the longevity of brushes.

Pure Turpentine In Ebru art, turpentine gives colors a three-dimensional and voluminous appearance. Especially in floral Ebru, using turpentine-mixed paint is recommended as it enhances the beauty of the background and makes minor dust-caused imperfections in the Ebru tray less visible. Turpentine (Neft) plays a significant role, particularly in the Battal-Ebru technique. In Battal-Ebru, a sufficient amount of turpentine (Neft) is added to the last color dropped, creating a unique pattern. The turpentine-mixed paint forms "holes" in the color droplets on the water surface, resulting in a distinctive effect. No further colors are added after this step. Due to the resulting "gaps," this technique is particularly suitable for creating backgrounds, as dust spots and small irregularities become significantly less noticeable.

Ox Gall in Ebru Art Ebru art is a traditional decoration technique where colors are sprinkled on water and shaped using special techniques. One of the most important materials in this art is ox gall. It is a natural additive that prevents Ebru colors from mixing and instead allows them to form unique patterns on the water’s surface. The Role of Ox Gall in Ebru Art Ox gall regulates the consistency and flow of the colors, helping artists create their desired patterns on the water surface. Ebru paints contain natural pigments and are mostly water-based. To ensure that the colors spread evenly, a special liquid is required – this is where ox gall comes into play. It reduces surface tension and facilitates the spreading of colors. Additionally, it allows layering of colors to create complex patterns. How Is Ox Gall Obtained? Ox gall is derived from the gallbladders of cattle, traditionally purified and prepared for use in Ebru art. Before use, it is fermented to enhance its effectiveness. Usage of Ox Gall In Ebru art, ox gall is added to each color individually. The dosage varies depending on the color and the desired effect. Conclusion Ox gall is an essential component of Ebru art, enabling controlled movement of colors on the water’s surface.

Ox Gall in Ebru Art Ebru art is a traditional decoration technique where colors are sprinkled on water and shaped using special techniques. One of the most important materials in this art is ox gall. It is a natural additive that prevents Ebru colors from mixing and instead allows them to form unique patterns on the water’s surface. The Role of Ox Gall in Ebru Art Ox gall regulates the consistency and flow of the colors, helping artists create their desired patterns on the water surface. Ebru paints contain natural pigments and are mostly water-based. To ensure that the colors spread evenly, a special liquid is required – this is where ox gall comes into play. It reduces surface tension and facilitates the spreading of colors. Additionally, it allows layering of colors to create complex patterns. How Is Ox Gall Obtained? Ox gall is derived from the gallbladders of cattle, traditionally purified and prepared for use in Ebru art. Before use, it is fermented to enhance its effectiveness. Usage of Ox Gall In Ebru art, ox gall is added to each color individually. The dosage varies depending on the color and the desired effect. Conclusion Ox gall is an essential component of Ebru art, enabling controlled movement of colors on the water’s surface.

Tiger Eye Marbling Liquid Tiger Eye marbling liquid is a special solution used in the art of marbling. This liquid is created by mixing specific chemical components in precise proportions and is offered to marbling artists. The Tiger Eye effect is characterized by the appearance of a unique droplet and line pattern in the applied colors. How is the Tiger Eye Effect Formed? When this technique is applied, a distinct droplet appears in the center of the applied color, from which lines extend outward. The resulting pattern resembles a tiger’s eye, giving it its name. Unlike traditional marbling techniques, Tiger Eye marbling liquid allows for better control over color dispersion and the creation of unique effects. Applications of Tiger Eye Marbling Liquid The Tiger Eye technique is especially favored for modern and experimental marbling works. This liquid provides artists with greater freedom, allowing colors to interact differently on the water’s surface. Its chemical composition alters the spread and speed of colors, enabling sharper and more defined patterns. This special liquid is designed for artists looking to add a new dimension to marbling art and serves as a crucial tool in combining experimental and classical marbling techniques.

Alum and Its Use in Ebru Art Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Alum and Its Use in Ebru Art Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Alum – 500 g for Fabric Marbling Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Alum Stone - 90g Alaun is mainly used when you want to marble fabrics. It acts as an odor-inhibiting agent during the decomposition of butyric acid and sweat. However, alum can also be used for marbling on paper. In this case, alum serves as an adhesive when you want to use the Ebru technique with different colors. Marbling fabrics is a very pleasant and stylish activity. First, I would like to talk about the colors we will use. By using synthetic dyes for fabric marbling, we can achieve better results. There are several brands of these dyes available on the market. For fabrics, I would recommend silk, synthetic silk, and satin. Before you start marbling the fabric, you should soak it in a solution of alum and water to ensure the colors adhere to the fabric. To prepare the solution, dissolve 100 g of alum powder in 1 liter of hot water. Then, let the silk dry, and if desired, iron it. After marbling the silk, briefly rinse it in cold water and let it dry. Once dry, iron the fabric on the reverse side to fix the colors. Afterwards, you can wash your fabrics as usual.

Bacteriostat It extends the lifespan of marbling water. Be very careful when applying. Harmful if swallowed, in contact with skin, or inhaled. Causes skin irritation. Causes severe eye irritation. May cause allergic skin reactions. May cause genetic defects. May cause cancer. May irritate the respiratory system. Keep out of reach of children. Use prescribed personal protective equipment. IN CASE OF CONTACT WITH EYES: Rinse cautiously with water for several minutes. Remove contact lenses if present and easy to do. Continue rinsing. IN CASE OF SKIN CONTACT: Wash with plenty of water and soap.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Ox Gall in Ebru Art Ebru art is a traditional decoration technique where colors are sprinkled on water and shaped using special techniques. One of the most important materials in this art is ox gall. It is a natural additive that prevents Ebru colors from mixing and instead allows them to form unique patterns on the water’s surface. The Role of Ox Gall in Ebru Art Ox gall regulates the consistency and flow of the colors, helping artists create their desired patterns on the water surface. Ebru paints contain natural pigments and are mostly water-based. To ensure that the colors spread evenly, a special liquid is required – this is where ox gall comes into play. It reduces surface tension and facilitates the spreading of colors. Additionally, it allows layering of colors to create complex patterns. How Is Ox Gall Obtained? Ox gall is derived from the gallbladders of cattle, traditionally purified and prepared for use in Ebru art. Before use, it is fermented to enhance its effectiveness. Usage of Ox Gall In Ebru art, ox gall is added to each color individually. The dosage varies depending on the color and the desired effect. Conclusion Ox gall is an essential component of Ebru art, enabling controlled movement of colors on the water’s surface.

Karin Ebru Pure Turpentine – 100 ml In Ebru art, turpentine gives colors a three-dimensional and voluminous appearance. Especially in floral Ebru, using turpentine-mixed paint is recommended as it enhances the beauty of the background and makes minor dust-caused imperfections in the Ebru tray less visible. Turpentine (Neft) plays a significant role, particularly in the Battal-Ebru technique. In Battal-Ebru, a sufficient amount of turpentine (Neft) is added to the last color dropped, creating a unique pattern. The turpentine-mixed paint forms "holes" in the color droplets on the water surface, resulting in a distinctive effect. No further colors are added after this step. Due to the resulting "gaps," this technique is particularly suitable for creating backgrounds, as dust spots and small irregularities become significantly less noticeable.

Karin Gum Arabic – 100 ml Gum Arabic is a natural gum obtained from the trunks of acacia trees. It is also known as acacia gum or Senegal gum. Since it is edible, it is used not only in art but also in the food industry as a regulator. Due to its water-soluble properties, it is commonly used as a binder in watercolor painting. Throughout history, painters have used this resin to bind their colors and enhance their gloss. Uses of Gum Arabic One of the most important features of Gum Arabic is that it is non-toxic. In the desert regions of Sudan, some tribes have survived by consuming this substance obtained from acacia trees. Because it is natural and non-toxic, it is ideal for use in the art field. In medieval painting, Gum Arabic was used in tempera painting techniques and gold leaf decoration. In ceramic art, it is used as a glazing aid before firing the ceramics in the kiln. Purpose and Application of Gum Arabic Gum Arabic is often sold separately as an auxiliary material and is used to increase the gloss and adhesion of watercolor paints. It is generally mixed in a ratio of 1 part Gum Arabic, 2 parts water, and 1 part paint. Some artists prefer to add Gum Arabic to the water in which they mix their paint rather than directly into the paint. It also increases the density and consistency of the watercolor, helping it dissolve better in water. In high-quality watercolor paints, there is usually enough Gum Arabic, so additional additives may not be necessary. However, excessive amounts of Gum Arabic can cause unnecessary gloss and lead to cracks when the paint dries. Gum Arabic is a versatile material and is also widely used in marbling art (Ebru). Source: Karin Sanat

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Odorless Ox Gall – 250 ml Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Pure Turpentine 50 ml – For Battal Marbling In Ebru art, turpentine gives colors a three-dimensional and voluminous appearance. Especially in floral Ebru, using turpentine-mixed paint is recommended as it enhances the beauty of the background and makes minor dust-caused imperfections in the Ebru tray less visible. Turpentine (Neft) plays a significant role, particularly in the Battal-Ebru technique. In Battal-Ebru, a sufficient amount of turpentine (Neft) is added to the last color dropped, creating a unique pattern. The turpentine-mixed paint forms "holes" in the color droplets on the water surface, resulting in a distinctive effect. No further colors are added after this step. Due to the resulting "gaps," this technique is particularly suitable for creating backgrounds, as dust spots and small irregularities become significantly less noticeable.

Pipette – Precise Dosing in Marbling Art A pipette is an essential tool used in marbling art to add water, ox bile, or turpentine in controlled amounts. It helps to optimize the consistency and blending of colors, allowing for more precise patterns. Available Sizes We offer the pipette in two sizes: 100 ml – Ideal for ox bile and other additives. 250 ml – Suitable for water or larger amounts of auxiliary liquids. High-Quality Material Our pipettes are made from high-quality, transparent plastic. This material ensures long-lasting use, easy cleaning, and precise monitoring of liquid levels. The sturdy design provides durability and ease of handling. Why Use a Pipette? Allows precise dosing of liquids. Facilitates the even distribution of auxiliary substances on the marbling surface. Improves color mixing and provides better control over the marbling process. With its ergonomic design and precise dropper mechanism, this pipette is a practical and reliable tool for anyone engaged in marbling art.

Pipette – Precise Dosing in Marbling Art A pipette is an essential tool used in marbling art to add water, ox bile, or turpentine in controlled amounts. It helps to optimize the consistency and blending of colors, allowing for more precise patterns. Available Sizes We offer the pipette in two sizes: 100 ml – Ideal for ox bile and other additives. 250 ml – Suitable for water or larger amounts of auxiliary liquids. High-Quality Material Our pipettes are made from high-quality, transparent plastic. This material ensures long-lasting use, easy cleaning, and precise monitoring of liquid levels. The sturdy design provides durability and ease of handling. Why Use a Pipette? Allows precise dosing of liquids. Facilitates the even distribution of auxiliary substances on the marbling surface. Improves color mixing and provides better control over the marbling process. With its ergonomic design and precise dropper mechanism, this pipette is a practical and reliable tool for anyone engaged in marbling art.

Tiger Eye Marbling Liquid Tiger Eye marbling liquid is a special solution used in the art of marbling. This liquid is created by mixing specific chemical components in precise proportions and is offered to marbling artists. The Tiger Eye effect is characterized by the appearance of a unique droplet and line pattern in the applied colors. How is the Tiger Eye Effect Formed? When this technique is applied, a distinct droplet appears in the center of the applied color, from which lines extend outward. The resulting pattern resembles a tiger’s eye, giving it its name. Unlike traditional marbling techniques, Tiger Eye marbling liquid allows for better control over color dispersion and the creation of unique effects. Applications of Tiger Eye Marbling Liquid The Tiger Eye technique is especially favored for modern and experimental marbling works. This liquid provides artists with greater freedom, allowing colors to interact differently on the water’s surface. Its chemical composition alters the spread and speed of colors, enabling sharper and more defined patterns. This special liquid is designed for artists looking to add a new dimension to marbling art and serves as a crucial tool in combining experimental and classical marbling techniques.