Additional marbling materials

Pure Turpentine In Ebru art, turpentine gives colors a three-dimensional and voluminous appearance. Especially in floral Ebru, using turpentine-mixed paint is recommended as it enhances the beauty of the background and makes minor dust-caused imperfections in the Ebru tray less visible. Turpentine (Neft) plays a significant role, particularly in the Battal-Ebru technique. In Battal-Ebru, a sufficient amount of turpentine (Neft) is added to the last color dropped, creating a unique pattern. The turpentine-mixed paint forms "holes" in the color droplets on the water surface, resulting in a distinctive effect. No further colors are added after this step. Due to the resulting "gaps," this technique is particularly suitable for creating backgrounds, as dust spots and small irregularities become significantly less noticeable.

Rosewood Stems Used in Marbling Brushes Marbling brushes are crafted using traditional techniques and special materials. Rosewood stems are among the most preferred materials in making marbling brushes due to their durability, flexibility, and longevity. Rosewood stems provide a lightweight and ergonomic grip when used as a brush handle. Additionally, they are resistant to water, preventing decay and deformation. The fibrous and sturdy structure of rosewood ensures that the brush retains its shape for an extended period. The tips of marbling brushes are typically made with horsehair or mane hair, which are tightly bound to the rosewood stem using Perlon thread or natural fibers. The flexibility of rosewood allows for more controlled movement of the brush on the water’s surface, enabling the artist to evenly distribute the paint. Special Rosewood Stems for Marbling Enthusiasts To support marbling enthusiasts in crafting their own brushes, we offer sets of 10 rosewood stems. This allows you to apply traditional techniques firsthand, making your brushes and adding a personal touch to your art.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Karin Ebru Pure Turpentine – 100 ml In Ebru art, turpentine gives colors a three-dimensional and voluminous appearance. Especially in floral Ebru, using turpentine-mixed paint is recommended as it enhances the beauty of the background and makes minor dust-caused imperfections in the Ebru tray less visible. Turpentine (Neft) plays a significant role, particularly in the Battal-Ebru technique. In Battal-Ebru, a sufficient amount of turpentine (Neft) is added to the last color dropped, creating a unique pattern. The turpentine-mixed paint forms "holes" in the color droplets on the water surface, resulting in a distinctive effect. No further colors are added after this step. Due to the resulting "gaps," this technique is particularly suitable for creating backgrounds, as dust spots and small irregularities become significantly less noticeable.

Karin Gum Arabic – 100 ml Gum Arabic is a natural gum obtained from the trunks of acacia trees. It is also known as acacia gum or Senegal gum. Since it is edible, it is used not only in art but also in the food industry as a regulator. Due to its water-soluble properties, it is commonly used as a binder in watercolor painting. Throughout history, painters have used this resin to bind their colors and enhance their gloss. Uses of Gum Arabic One of the most important features of Gum Arabic is that it is non-toxic. In the desert regions of Sudan, some tribes have survived by consuming this substance obtained from acacia trees. Because it is natural and non-toxic, it is ideal for use in the art field. In medieval painting, Gum Arabic was used in tempera painting techniques and gold leaf decoration. In ceramic art, it is used as a glazing aid before firing the ceramics in the kiln. Purpose and Application of Gum Arabic Gum Arabic is often sold separately as an auxiliary material and is used to increase the gloss and adhesion of watercolor paints. It is generally mixed in a ratio of 1 part Gum Arabic, 2 parts water, and 1 part paint. Some artists prefer to add Gum Arabic to the water in which they mix their paint rather than directly into the paint. It also increases the density and consistency of the watercolor, helping it dissolve better in water. In high-quality watercolor paints, there is usually enough Gum Arabic, so additional additives may not be necessary. However, excessive amounts of Gum Arabic can cause unnecessary gloss and lead to cracks when the paint dries. Gum Arabic is a versatile material and is also widely used in marbling art (Ebru). Source: Karin Sanat

Karin Hard Bristle Horsehair Bundle 350 gr Horse Tail Hair for Ebru Brushes Ebru art is a traditional Turkish art form in which patterns are created on the surface of water and then transferred onto paper. One of the most important tools used in this art is the Ebru brush. The hair used in the brush allows the paint to be applied onto the water surface in a controlled and balanced way. Traditionally, Ebru brushes are made using horse tail hair. Horsehair is resistant to water and flexible in structure, allowing the paint to spread evenly across the water surface. Its natural structure enables the paint to drop onto the water gradually and in a controlled manner, which helps create cleaner and more balanced patterns. During the making of an Ebru brush, horse tail hairs are carefully selected, cleaned, and gathered into bundles. They are then wrapped and fixed onto the brush handle. The correct density of hair and the quality of the material ensure that the brush holds the paint properly and releases it onto the water in the right amount. This product consists of natural horse tail hair used for making Ebru brushes (350 g). It is a high-quality material preferred by both traditional Ebru artists and beginners.

Pure Turpentine 50 ml – For Battal Marbling In Ebru art, turpentine gives colors a three-dimensional and voluminous appearance. Especially in floral Ebru, using turpentine-mixed paint is recommended as it enhances the beauty of the background and makes minor dust-caused imperfections in the Ebru tray less visible. Turpentine (Neft) plays a significant role, particularly in the Battal-Ebru technique. In Battal-Ebru, a sufficient amount of turpentine (Neft) is added to the last color dropped, creating a unique pattern. The turpentine-mixed paint forms "holes" in the color droplets on the water surface, resulting in a distinctive effect. No further colors are added after this step. Due to the resulting "gaps," this technique is particularly suitable for creating backgrounds, as dust spots and small irregularities become significantly less noticeable.

Pipette – Precise Dosing in Marbling Art A pipette is an essential tool used in marbling art to add water, ox bile, or turpentine in controlled amounts. It helps to optimize the consistency and blending of colors, allowing for more precise patterns. Available Sizes We offer the pipette in two sizes: 100 ml – Ideal for ox bile and other additives. 250 ml – Suitable for water or larger amounts of auxiliary liquids. High-Quality Material Our pipettes are made from high-quality, transparent plastic. This material ensures long-lasting use, easy cleaning, and precise monitoring of liquid levels. The sturdy design provides durability and ease of handling. Why Use a Pipette? Allows precise dosing of liquids. Facilitates the even distribution of auxiliary substances on the marbling surface. Improves color mixing and provides better control over the marbling process. With its ergonomic design and precise dropper mechanism, this pipette is a practical and reliable tool for anyone engaged in marbling art.

Pipette – Precise Dosing in Marbling Art A pipette is an essential tool used in marbling art to add water, ox bile, or turpentine in controlled amounts. It helps to optimize the consistency and blending of colors, allowing for more precise patterns. Available Sizes We offer the pipette in two sizes: 100 ml – Ideal for ox bile and other additives. 250 ml – Suitable for water or larger amounts of auxiliary liquids. High-Quality Material Our pipettes are made from high-quality, transparent plastic. This material ensures long-lasting use, easy cleaning, and precise monitoring of liquid levels. The sturdy design provides durability and ease of handling. Why Use a Pipette? Allows precise dosing of liquids. Facilitates the even distribution of auxiliary substances on the marbling surface. Improves color mixing and provides better control over the marbling process. With its ergonomic design and precise dropper mechanism, this pipette is a practical and reliable tool for anyone engaged in marbling art.

Tiger Eye Marbling Liquid Tiger Eye marbling liquid is a special solution used in the art of marbling. This liquid is created by mixing specific chemical components in precise proportions and is offered to marbling artists. The Tiger Eye effect is characterized by the appearance of a unique droplet and line pattern in the applied colors. How is the Tiger Eye Effect Formed? When this technique is applied, a distinct droplet appears in the center of the applied color, from which lines extend outward. The resulting pattern resembles a tiger’s eye, giving it its name. Unlike traditional marbling techniques, Tiger Eye marbling liquid allows for better control over color dispersion and the creation of unique effects. Applications of Tiger Eye Marbling Liquid The Tiger Eye technique is especially favored for modern and experimental marbling works. This liquid provides artists with greater freedom, allowing colors to interact differently on the water’s surface. Its chemical composition alters the spread and speed of colors, enabling sharper and more defined patterns. This special liquid is designed for artists looking to add a new dimension to marbling art and serves as a crucial tool in combining experimental and classical marbling techniques.

Tiger Eye Marbling Liquid Tiger Eye marbling liquid is a special solution used in the art of marbling. This liquid is created by mixing specific chemical components in precise proportions and is offered to marbling artists. The Tiger Eye effect is characterized by the appearance of a unique droplet and line pattern in the applied colors. How is the Tiger Eye Effect Formed? When this technique is applied, a distinct droplet appears in the center of the applied color, from which lines extend outward. The resulting pattern resembles a tiger’s eye, giving it its name. Unlike traditional marbling techniques, Tiger Eye marbling liquid allows for better control over color dispersion and the creation of unique effects. Applications of Tiger Eye Marbling Liquid The Tiger Eye technique is especially favored for modern and experimental marbling works. This liquid provides artists with greater freedom, allowing colors to interact differently on the water’s surface. Its chemical composition alters the spread and speed of colors, enabling sharper and more defined patterns. This special liquid is designed for artists looking to add a new dimension to marbling art and serves as a crucial tool in combining experimental and classical marbling techniques.