Marbling Materials
Marbling Supplies for Classic and Ready-to-Use Marbling Techniques
With the right marbling supplies, clean patterns and stable results can be achieved in the marbling bath—both with classic and ready-to-use marbling paints. Classic colors are individually adjusted with water and ox gall, while ready-to-use paints can be dosed directly from the dropper bottle. Thickeners such as lambda carrageenan provide the appropriate consistency, and ox gall supports the even opening and control of the colors. Awls, styluses, and combs enable precise lines, contours, and floral motifs; marbling brushes and sprinkling brushes assist in application and fine distribution. Complementary items such as marbling trays, alum, paper, and cleaning agents like turpentine are essential components of a complete setup for studios or course environments.
Alum and Its Use in Ebru Art Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.
Alum – 500 g for Fabric Marbling Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.
Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog
Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog
Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog
Marbling Papers - Whit Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.
Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.
Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.
Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.
Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.
Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.
Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.
For A3 Tray: 3-Piece Marbling Comb Set Marbling Comb Set This 3-piece marbling comb set is designed for use with A3 trays and is suitable for traditional paper water marbling. The set includes three different combs: wave comb (tidal pattern), bouquet comb, and standard comb. The combs allow the creation of various patterns and structures on thickened water and are intended for larger paper formats. Tooth spacing (standard comb): 5 mm, 7 mm, or 9 mm. Selection is made by default based on availability. A preferred spacing can be specified when ordering.
Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog
Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog
Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.
Karin Awl 3-Piece Set In Ebru art, awls play an important role. These tools are made of stainless metal and mounted on a wooden handle. They are available in different thicknesses, ranging from 0.5 mm to 5 mm. Awls are used to transfer colors onto the surface of the water. In addition, they are used to shape the applied colors. There are awls in different thicknesses as well as in special shapes designed for various floral motifs. These special awls are called "flower awls." Awls with multiple needles placed side by side are known as "hyacinth awls." These products are available on our website, where you can find more information.
Karin Gum Arabic – 100 ml Gum Arabic is a natural gum obtained from the trunks of acacia trees. It is also known as acacia gum or Senegal gum. Since it is edible, it is used not only in art but also in the food industry as a regulator. Due to its water-soluble properties, it is commonly used as a binder in watercolor painting. Throughout history, painters have used this resin to bind their colors and enhance their gloss. Uses of Gum Arabic One of the most important features of Gum Arabic is that it is non-toxic. In the desert regions of Sudan, some tribes have survived by consuming this substance obtained from acacia trees. Because it is natural and non-toxic, it is ideal for use in the art field. In medieval painting, Gum Arabic was used in tempera painting techniques and gold leaf decoration. In ceramic art, it is used as a glazing aid before firing the ceramics in the kiln. Purpose and Application of Gum Arabic Gum Arabic is often sold separately as an auxiliary material and is used to increase the gloss and adhesion of watercolor paints. It is generally mixed in a ratio of 1 part Gum Arabic, 2 parts water, and 1 part paint. Some artists prefer to add Gum Arabic to the water in which they mix their paint rather than directly into the paint. It also increases the density and consistency of the watercolor, helping it dissolve better in water. In high-quality watercolor paints, there is usually enough Gum Arabic, so additional additives may not be necessary. However, excessive amounts of Gum Arabic can cause unnecessary gloss and lead to cracks when the paint dries. Gum Arabic is a versatile material and is also widely used in marbling art (Ebru). Source: Karin Sanat
Karin Hard Bristle Horsehair Bundle 350 gr Horse Tail Hair for Ebru Brushes Ebru art is a traditional Turkish art form in which patterns are created on the surface of water and then transferred onto paper. One of the most important tools used in this art is the Ebru brush. The hair used in the brush allows the paint to be applied onto the water surface in a controlled and balanced way. Traditionally, Ebru brushes are made using horse tail hair. Horsehair is resistant to water and flexible in structure, allowing the paint to spread evenly across the water surface. Its natural structure enables the paint to drop onto the water gradually and in a controlled manner, which helps create cleaner and more balanced patterns. During the making of an Ebru brush, horse tail hairs are carefully selected, cleaned, and gathered into bundles. They are then wrapped and fixed onto the brush handle. The correct density of hair and the quality of the material ensure that the brush holds the paint properly and releases it onto the water in the right amount. This product consists of natural horse tail hair used for making Ebru brushes (350 g). It is a high-quality material preferred by both traditional Ebru artists and beginners.
Marbling Combs Marbling combs are an essential tool in the art of Ebru and are used to create patterns on the paint applied to the water surface. The needles are made of stainless steel and are evenly spaced. The combs available on our website come in various lengths, allowing you to find the right comb for your Ebru tray. The combs also differ in the spacing between individual needles. This variety gives you more options and freedom when designing your patterns. With these marbling combs, you can create wave marbling, comb marbling, peacock marbling, and similar patterns. The artist’s creativity knows no limits. Features: Needles made of stainless steel Available comb lengths: 35 cm, 50 cm, 70 cm Needle spacing: 5 mm, 7 mm, 9 mm *Pattern examples can be found in our blog.*
Marbling Combs Marbling combs are an essential tool in the art of Ebru and are used to create patterns on the paint applied to the water surface. The needles are made of stainless steel and are evenly spaced. The combs available on our website come in various lengths, allowing you to find the right comb for your Ebru tray. The combs also differ in the spacing between individual needles. This variety gives you more options and freedom when designing your patterns. With these marbling combs, you can create wave marbling, comb marbling, peacock marbling, and similar patterns. The artist’s creativity knows no limits. Features: Needles made of stainless steel Available comb lengths: 35 cm, 50 cm, 70 cm Needle spacing: 5 mm, 7 mm, 9 mm *Pattern examples can be found in our blog.*
Marbling Combs Marbling combs are an essential tool in the art of Ebru and are used to create patterns on the paint applied to the water surface. The needles are made of stainless steel and are evenly spaced. The combs available on our website come in various lengths, allowing you to find the right comb for your Ebru tray. The combs also differ in the spacing between individual needles. This variety gives you more options and freedom when designing your patterns. With these marbling combs, you can create wave marbling, comb marbling, peacock marbling, and similar patterns. The artist’s creativity knows no limits. Features: Needles made of stainless steel Available comb lengths: 35 cm, 50 cm, 70 cm Needle spacing: 5 mm, 7 mm, 9 mm *Pattern examples can be found in our blog.*
Marbling Combs Marbling combs are an essential tool in the art of Ebru and are used to create patterns on the paint applied to the water surface. The needles are made of stainless steel and are evenly spaced. The combs available on our website come in various lengths, allowing you to find the right comb for your Ebru tray. The combs also differ in the spacing between individual needles. This variety gives you more options and freedom when designing your patterns. With these marbling combs, you can create wave marbling, comb marbling, peacock marbling, and similar patterns. The artist’s creativity knows no limits. Features: Needles made of stainless steel Available comb lengths: 35 cm, 50 cm, 70 cm Needle spacing: 5 mm, 7 mm, 9 mm *Pattern examples can be found in our blog.*
Marbling Combs Marbling combs are an essential tool in the art of Ebru and are used to create patterns on the paint applied to the water surface. The needles are made of stainless steel and are evenly spaced. The combs available on our website come in various lengths, allowing you to find the right comb for your Ebru tray. The combs also differ in the spacing between individual needles. This variety gives you more options and freedom when designing your patterns. With these marbling combs, you can create wave marbling, comb marbling, peacock marbling, and similar patterns. The artist’s creativity knows no limits. Features: Needles made of stainless steel Available comb lengths: 35 cm, 50 cm, 70 cm Needle spacing: 5 mm, 7 mm, 9 mm *Pattern examples can be found in our blog.*