Marbling Materials

Marbling Paper White – DIN A4, 100 Sheets, 90 g/m² This white marmoring paper in DIN A4 format is ideal for Ebru art, paper marbling, calligraphy, bookbinding and creative paper projects. With a weight of 90 g/m², it offers an excellent balance between stability and flexibility. For traditional Ebru techniques, it is important that the paper can receive the colors evenly from the water surface without excessive curling or absorbing too much liquid. This helps create clean and consistent marbling patterns. The white surface enhances color brilliance and is particularly suitable for high-contrast marbling designs, decorative sheets, greeting cards, calligraphy and artistic projects. Each pack contains 100 sheets in DIN A4 format. The paper is especially suitable for smaller marbling trays and for regular Ebru and paper marbling applications.

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Odorless Ox Gall – 250 ml Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Set of 5 Marbling Mixing Brushes with Rose Branch Handles This traditional set of 5 marbling mixing brushes has been specially designed for preparing and mixing marbling paints. The brushes are ideal for stirring, blending and homogenizing colors before they are applied to the marbling bath. The bristles are made from carefully selected black horsehair. These durable natural hairs help ensure even pigment distribution and support precise color preparation. The handles are made from natural rose branches. This traditional material has been used for generations in Ebru tools and provides a comfortable grip. The horsehair is traditionally attached to the rose branches by hand, creating authentic tools for traditional Ebru and marbling art. The set is suitable for studios, workshops, courses and personal use, helping artists prepare marbling paints efficiently and consistently. Product Features Set of 5 marbling mixing brushes For stirring and mixing marbling paints Black horsehair bristles Natural rose branch handles Traditional handmade construction Suitable for Ebru and marbling art Helps achieve even color mixing Robust and durable design Suitable for beginners and experienced users

Set of 5 Small Marbling Sprinkle Brushes with Beechwood Handles This set of 5 small marbling sprinkle brushes has been specially developed for traditional Ebru and marbling art. The brushes are ideal for the precise application and controlled distribution of colors on the prepared marbling surface. The bristles are made from firm, specially selected natural hair. Their durable and flexible structure ensures even color pickup and supports the formation of clean, fine color droplets on the marbling bath. The handles are crafted from high-quality beechwood. The sturdy wood fits comfortably in the hand and allows precise control while working. These brushes are smaller than large sprinkle brushes and are therefore particularly suitable for detailed work and smaller areas. This practical set of 5 is ideal for courses, workshops, studios, and creative groups. Multiple users can work simultaneously, or the brushes can be kept as spare and replacement tools. Product Features Set of 5 small marbling sprinkle brushes For traditional Ebru and marbling techniques Firm, specially selected natural hair High-quality beechwood handles For precise application and controlled color distribution Suitable for detailed work and smaller areas Durable and robust construction Suitable for beginners and experienced artists Ideal for courses, workshops, and studios Perfect as a spare or replacement set

Small Marbling Sprinkle Brush with Beechwood Handle This traditional small marbling sprinkle brush was specially developed for Ebru and marbling art. It is ideal for the precise application and controlled distribution of colors on the prepared marbling surface. Its compact size makes it particularly suitable for detailed work, smaller color areas, fine color droplets, and intricate marbling patterns. The bristles are made from carefully selected black horsehair. This natural material is flexible, durable, and allows for an even distribution of color on the marbling bath. The handle is made from sturdy beechwood. It provides a comfortable grip and reliable control during use. The total length is approximately 30 cm. The horsehair is traditionally attached by hand to the wooden handle, creating an authentic tool for classical Ebru work, workshops, studios, courses, and creative applications. Product Features Small marbling sprinkle brush For precise application and sprinkling of marbling colors Suitable for traditional Ebru and marbling techniques Black horsehair bristles Beechwood handle Length approx. 30 cm Traditional handcrafted production Controlled color distribution on the marbling bath Ideal for fine details and smaller color areas Suitable for beginners and experienced artists

Small Marbling Sprinkle Brush with Rose Branch Handle This traditional small marbling sprinkle brush has been specially developed for marbling art. It is ideal for fine paint application and controlled color distribution on the prepared water surface. Due to its smaller size, this brush is particularly suitable for precise work, smaller color areas, fine paint droplets, and detailed marbling patterns. The bristles are made from carefully selected black horse tail hair. These natural hairs are flexible, durable, and ensure even paint distribution on the marbling bath. The handle is crafted from natural rose branch. This traditional material has been used for generations in marbling brushes and offers comfortable handling. The total length is approximately 30 cm. The horse tail hairs are attached to the rose branch using traditional handcraft techniques. This creates an authentic tool for classical marbling work, workshops, studios, and creative projects. Product Features Small marbling sprinkle brush For fine application and sprinkling of marbling paints Suitable for traditional marbling techniques Black horse tail hair bristles Natural rose branch handle Approx. 30 cm length Traditionally handcrafted Controlled paint distribution on the marbling bath Ideal for detailed patterns and small color areas Suitable for beginners and experienced artists

Pipette – Precise Dosing in Marbling Art A pipette is an essential tool used in marbling art to add water, ox bile, or turpentine in controlled amounts. It helps to optimize the consistency and blending of colors, allowing for more precise patterns. Available Sizes We offer the pipette in two sizes: 100 ml – Ideal for ox bile and other additives. 250 ml – Suitable for water or larger amounts of auxiliary liquids. High-Quality Material Our pipettes are made from high-quality, transparent plastic. This material ensures long-lasting use, easy cleaning, and precise monitoring of liquid levels. The sturdy design provides durability and ease of handling. Why Use a Pipette? Allows precise dosing of liquids. Facilitates the even distribution of auxiliary substances on the marbling surface. Improves color mixing and provides better control over the marbling process. With its ergonomic design and precise dropper mechanism, this pipette is a practical and reliable tool for anyone engaged in marbling art.

Stainless Steel Marbling Tray – 30 x 40 x 6 cm This stainless steel marbling tray has an approximate inner size of 30 x 40 x 6 cm and is suitable for traditional Ebru and marbling work. Important notice: This tray does not match the standard DIN A3 or DIN B3 format. It is a special intermediate size. Customers intending to work with DIN A3 or DIN B3 paper should carefully check the dimensions before purchasing. Why is this tray discounted? This product was originally planned for the A3 format. However, due to a production size variation, the tray was manufactured with an approximate size of 30 x 40 cm. For this reason, it is offered at a reduced price of 39.99 € instead of the regular price of 59.99 €. Product Features Material: Stainless steel Approximate inner size: 30 x 40 x 6 cm Not a standard DIN A3 or DIN B3 format Suitable for traditional Ebru and marbling work Durable, stable and easy to clean Suitable for studios, individual work and testing purposes Usage Note Please check the dimensions of your paper before purchasing. Since the tray is shorter than the standard DIN A3 format, some paper sizes may require adjustment.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

White Marbling Paper – DIN A3, 100 Sheets, 100 g/m² This white marbling paper in DIN A3 format is ideal for Ebru art, paper marbling, bookbinding, calligraphy and creative paper projects. With a weight of 100 g/m², it provides a stable surface for clean and vibrant marbling results. For traditional Ebru techniques, it is important that the paper can be placed smoothly onto the prepared marbling bath without excessive curling or absorbing too much liquid. This helps transfer the patterns evenly from the water surface onto the paper. The white surface enhances the brilliance of colors and is especially suitable for detailed patterns, strong contrasts and decorative artwork. It can also be used for endpapers, bookbinding projects, cards, artistic applications and various creative designs. Each pack contains 100 sheets in DIN A3 format. The paper is suitable for larger marbling trays and for anyone working regularly with Ebru and paper marbling techniques.

Marbling Papers - Whit Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

White Marbling Paper – DIN A3, 500 Sheets, 100 g/m² The weight of marbling paper is an important factor, as the paper does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50 g/m² to 300 g/m², with 70–90 g/m² often being preferred. Depending on the intended use, whether for artwork or bookbinding, the appropriate paper weight can be selected. One of the most important characteristics of quality marbling paper is that it should not curl on the water surface and should not absorb water uncontrollably. This allows colors to be transferred cleanly and patterns to remain sharp and well-defined. For long-lasting marbled artworks and durable applications such as endpapers and bookbinding, acid-free marbling paper is recommended. In our online shop, marbling papers are available in various formats such as DIN A3, DIN A4 and DIN A2.

Marbling Papers - Whit Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

White Marbling Paper – DIN A4, 100 Sheets, 100 g/m² The weight of marbling paper is an important factor, as the paper does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50 g/m² to 300 g/m², with 70–90 g/m² often being preferred. Depending on the intended use, whether for artwork or bookbinding, the appropriate paper weight can be selected. One of the most important characteristics of quality marbling paper is that it should not curl on the water surface and should not absorb water uncontrollably. This allows colors to be transferred cleanly and patterns to remain sharp and well-defined. For long-lasting marbled artworks and durable applications such as endpapers and bookbinding, acid-free marbling paper is recommended. In our online shop, marbling papers are available in various formats such as DIN A3, DIN A4 and DIN A2.

White Marbling Paper – DIN A4, 500 Sheets, 100 g/m² The weight of marbling paper is an important factor, as the paper does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50 g/m² to 300 g/m², with 70–90 g/m² often being preferred. Depending on the intended use, whether for artwork or bookbinding, the appropriate paper weight can be selected. One of the most important characteristics of quality marbling paper is that it should not curl on the water surface and should not absorb water uncontrollably. This allows colors to be transferred cleanly and patterns to remain sharp and well-defined. For long-lasting marbled artworks and durable applications such as endpapers and bookbinding, acid-free marbling paper is recommended. In our online shop, marbling papers are available in various formats such as DIN A3, DIN A4 and DIN A2.