Marbling Materials

Marbling Comb (Bouquet - Zigzag) Ebru combs are an important tool in traditional Ebru and marbling art and are used for creating decorative patterns on the applied colors. The needles are made of rustproof stainless steel and are positioned at equal distances. The combs offered on our website differ both in comb length and in the spacing between the individual needles, allowing you to choose the most suitable comb for your marbling tray and preferred pattern technique. The needles of the zigzag combs offered here are arranged in an offset pattern. This design makes it especially easier to create Bouquet Ebru patterns* compared to traditional straight combs. The special needle arrangement enables flowing and decorative floral patterns while also offering great freedom for creative and individual pattern compositions. Needles made of rustproof stainless steel Offset needle arrangement Suitable for bouquet and zigzag marbling patterns Available variants: Comb lengths: 35 cm, 45 cm, 50 cm, 55 cm, 70 cm, 100 cm Needle spacing: 40 mm, 50 mm *Pattern examples can be found on our blog

Marbling Comb (Bouquet - Zigzag) Ebru combs are an important tool in traditional Ebru and marbling art and are used for creating decorative patterns on the applied colors. The needles are made of rustproof stainless steel and are positioned at equal distances. The combs offered on our website differ both in comb length and in the spacing between the individual needles, allowing you to choose the most suitable comb for your marbling tray and preferred pattern technique. The needles of the zigzag combs offered here are arranged in an offset pattern. This design makes it especially easier to create Bouquet Ebru patterns* compared to traditional straight combs. The special needle arrangement enables flowing and decorative floral patterns while also offering great freedom for creative and individual pattern compositions. Needles made of rustproof stainless steel Offset needle arrangement Suitable for bouquet and zigzag marbling patterns Available variants: Comb lengths: 35 cm, 45 cm, 50 cm, 55 cm, 70 cm, 100 cm Needle spacing: 40 mm, 50 mm *Pattern examples can be found on our blog

Marbling Comb (Bouquet - Zigzag) Ebru combs are an important tool in traditional Ebru and marbling art and are used for creating decorative patterns on the applied colors. The needles are made of rustproof stainless steel and are positioned at equal distances. The combs offered on our website differ both in comb length and in the spacing between the individual needles, allowing you to choose the most suitable comb for your marbling tray and preferred pattern technique. The needles of the zigzag combs offered here are arranged in an offset pattern. This design makes it especially easier to create Bouquet Ebru patterns* compared to traditional straight combs. The special needle arrangement enables flowing and decorative floral patterns while also offering great freedom for creative and individual pattern compositions. Needles made of rustproof stainless steel Offset needle arrangement Suitable for bouquet and zigzag marbling patterns Available variants: Comb lengths: 35 cm, 45 cm, 50 cm, 55 cm, 70 cm, 100 cm Needle spacing: 40 mm, 50 mm *Pattern examples can be found on our blog

Marbling Comb (Bouquet - Zigzag) Ebru combs are an important tool in traditional Ebru and marbling art and are used for creating decorative patterns on the applied colors. The needles are made of rustproof stainless steel and are positioned at equal distances. The combs offered on our website differ both in comb length and in the spacing between the individual needles, allowing you to choose the most suitable comb for your marbling tray and preferred pattern technique. The needles of the zigzag combs offered here are arranged in an offset pattern. This design makes it especially easier to create Bouquet Ebru patterns* compared to traditional straight combs. The special needle arrangement enables flowing and decorative floral patterns while also offering great freedom for creative and individual pattern compositions. Needles made of rustproof stainless steel Offset needle arrangement Suitable for bouquet and zigzag marbling patterns Available variants: Comb lengths: 35 cm, 45 cm, 50 cm, 55 cm, 70 cm, 100 cm Needle spacing: 40 mm, 50 mm *Pattern examples can be found on our blog

Marbling Comb (Bouquet - Zigzag) Ebru combs are an important tool in traditional Ebru and marbling art and are used for creating decorative patterns on the applied colors. The needles are made of rustproof stainless steel and are positioned at equal distances. The combs offered on our website differ both in comb length and in the spacing between the individual needles, allowing you to choose the most suitable comb for your marbling tray and preferred pattern technique. The needles of the zigzag combs offered here are arranged in an offset pattern. This design makes it especially easier to create Bouquet Ebru patterns* compared to traditional straight combs. The special needle arrangement enables flowing and decorative floral patterns while also offering great freedom for creative and individual pattern compositions. Needles made of rustproof stainless steel Offset needle arrangement Suitable for bouquet and zigzag marbling patterns Available variants: Comb lengths: 35 cm, 45 cm, 50 cm, 55 cm, 70 cm, 100 cm Needle spacing: 40 mm, 50 mm *Pattern examples can be found on our blog

Marbling Comb (Bouquet - Zigzag) Ebru combs are an important tool in traditional Ebru and marbling art and are used for creating decorative patterns on the applied colors. The needles are made of rustproof stainless steel and are positioned at equal distances. The combs offered on our website differ both in comb length and in the spacing between the individual needles, allowing you to choose the most suitable comb for your marbling tray and preferred pattern technique. The needles of the zigzag combs offered here are arranged in an offset pattern. This design makes it especially easier to create Bouquet Ebru patterns* compared to traditional straight combs. The special needle arrangement enables flowing and decorative floral patterns while also offering great freedom for creative and individual pattern compositions. Needles made of rustproof stainless steel Offset needle arrangement Suitable for bouquet and zigzag marbling patterns Available variants: Comb lengths: 35 cm, 45 cm, 50 cm, 55 cm, 70 cm, 100 cm Needle spacing: 40 mm, 50 mm *Pattern examples can be found on our blog

Marbling Paper – DIN A3, 50 Sheets, 130 g/m², Black Ebru paper does not need to float on the surface of the water; what truly matters is dimensional stability, flatness, and controlled absorption. Our black marbling paper in DIN A4 format with a weight of 130 g/m² offers excellent stability for precise marbling applications. Each package contains 50 sheets. One of the key quality characteristics is that the sheets must not curl on the water surface and must not absorb water uncontrollably. This ensures a calm working surface, better color control, and clean lifting results. For long-lasting marbling artworks and durable results – such as endpapers or bookbinding applications – we recommend using acid-free paper. This ensures lasting color stability and archival quality. In our online shop, marbling papers are available in various sizes, including DIN A3, DIN A4, DIN A2, and more.

Marbling Paper – DIN A4, 100 Sheets, 130 g/m², Black Ebru paper does not need to float on the surface of the water; what truly matters is dimensional stability, flatness, and controlled absorption. Our black marbling paper in DIN A4 format with a weight of 130 g/m² offers excellent stability for precise marbling applications. Each package contains 100 sheets. One of the key quality characteristics is that the sheets must not curl on the water surface and must not absorb water uncontrollably. This ensures a calm working surface, better color control, and clean lifting results. For long-lasting marbling artworks and durable results – such as endpapers or bookbinding applications – we recommend using acid-free paper. This ensures lasting color stability and archival quality. In our online shop, marbling papers are available in various sizes, including DIN A3, DIN A4, DIN A2, and more.

Marbling Paper – DIN A3, 500 Sheets, 80 gsm, Canary Yellow This marbling paper stands out with its soft and light canary yellow tone. Rather than being a classic bright and vivid yellow, the colour appears calmer, slightly matte and visually close to a chamois-like shade. This gives the paper a balanced and elegant base for traditional Ebru marbling, presentations, bookbinding and decorative projects. With a weight of 80 gsm, this paper offers suitable lightness and flexibility for marbling art. For Ebru papers, it is especially important that the sheet does not curl on the water surface, does not absorb too much water and keeps its shape during pattern transfer. Paper with an appropriate structure helps the colours transfer cleanly from the surface and supports even results. In our online shop, you can find marbling papers for different tray and tank sizes. Formats such as DIN A3, DIN A4, DIN A2 and other sizes are available, allowing you to choose the most suitable paper for your marbling work.

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Odorless Ox Gall – 250 ml Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Bovine Gall Used in Ebru Art Ebru art is a traditional decorative technique in which paints are sprinkled onto water and shaped using special techniques. One of the most important materials in this art is bovine gall. Bovine gall is a natural additive that allows Ebru paints to spread on the water’s surface without mixing and forming distinct patterns. The Role of Bovine Gall in Ebru Art Bovine gall regulates the consistency and fluidity of Ebru paints, helping the artist create desired patterns on the water surface. Ebru paints contain natural pigments and are usually water-based. However, a special liquid is needed to ensure these paints spread evenly on the surface. This is where bovine gall comes into play. Bovine gall reduces surface tension, making it easier for the paints to expand. It also allows different colors to layer and form desired patterns. How is Bovine Gall Obtained? Bovine gall is a natural liquid extracted from the gallbladders of cattle. It is purified using traditional methods and made suitable for Ebru art. Before use, it is fermented for a certain period to enhance its effectiveness. Usage of Bovine Gall In Ebru art, bovine gall is usually added separately to each paint color. The ratio varies depending on the type of paint and the desired effect. Overuse can cause excessive spreading of the paint. Conclusion Bovine gall is one of the indispensable components of Ebru art and plays a crucial role in traditional Ebru techniques. Being a natural substance, it adds an organic touch to the art and allows paints to move more controllably on the water surface.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Rosewood Marbling Brush for Sprinkling - 5-Piece Set - Small The brush made of rosewood is used for decorations. To do this, some paint is sprinkled onto the water surface with the brush to create a background for the paintings. This is the so-called Battal technique. The brush consists of horse tail hair for the bristles and rosewood for the handle. Horsehair is particularly suitable because it is hard and straight. It is also more resistant to the formation of bacteria and fungi. Rosewood is a particularly elastic wood and swings with each stroke above the water. This makes it easier and gentler to distribute the colors over the water. Over time, the tips of the brush soften in the paint containers and optimize the distribution of the paint. For a stable hold on the handle, the horse tail hairs are attached to the rosewood with Perlon thread. Product Features: Horse tail hair is used for the bristles The handle is made of rosewood The bristles are attached to the handle with Perlon thread Authentic look Approx. 30 cm long

Pipette – Precise Dosing in Marbling Art A pipette is an essential tool used in marbling art to add water, ox bile, or turpentine in controlled amounts. It helps to optimize the consistency and blending of colors, allowing for more precise patterns. Available Sizes We offer the pipette in two sizes: 100 ml – Ideal for ox bile and other additives. 250 ml – Suitable for water or larger amounts of auxiliary liquids. High-Quality Material Our pipettes are made from high-quality, transparent plastic. This material ensures long-lasting use, easy cleaning, and precise monitoring of liquid levels. The sturdy design provides durability and ease of handling. Why Use a Pipette? Allows precise dosing of liquids. Facilitates the even distribution of auxiliary substances on the marbling surface. Improves color mixing and provides better control over the marbling process. With its ergonomic design and precise dropper mechanism, this pipette is a practical and reliable tool for anyone engaged in marbling art.

Stainless Steel Marbling Tray – 30 x 40 x 6 cm This stainless steel marbling tray has an approximate inner size of 30 x 40 x 6 cm and is suitable for traditional Ebru and marbling work. Important notice: This tray does not match the standard DIN A3 or DIN B3 format. It is a special intermediate size. Customers intending to work with DIN A3 or DIN B3 paper should carefully check the dimensions before purchasing. Why is this tray discounted? This product was originally planned for the A3 format. However, due to a production size variation, the tray was manufactured with an approximate size of 30 x 40 cm. For this reason, it is offered at a reduced price of 39.99 € instead of the regular price of 59.99 €. Product Features Material: Stainless steel Approximate inner size: 30 x 40 x 6 cm Not a standard DIN A3 or DIN B3 format Suitable for traditional Ebru and marbling work Durable, stable and easy to clean Suitable for studios, individual work and testing purposes Usage Note Please check the dimensions of your paper before purchasing. Since the tray is shorter than the standard DIN A3 format, some paper sizes may require adjustment.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Trays for Ebru and Marbling Art Marbling trays are among the most important working tools in traditional Ebru and marbling art. They serve as the working surface for the marbling bath, where colors are dispersed and patterns are created. Suitable Tray Size for Clean and Controlled Work The size of the marbling tray should match the paper format as closely as possible. It should also be considered that paper may slightly expand when it comes into contact with the marbling bath. A properly selected tray allows more controlled work, reduces unnecessary paint consumption and enables more efficient use of the working surface. Different Materials for Different Requirements Depending on the intended use, marbling trays are manufactured from different materials such as stainless steel, plastic, coated metal or plexiglass. Stainless steel trays provide a particularly durable and stable solution for regular use. Plastic trays are lightweight, practical and easy to transport. Depending on the working method and application area, different materials may offer specific advantages. Suitable for Classical and Modern Marbling Techniques Marbling trays are suitable for both traditional Ebru techniques and modern marbling applications using ready-to-use or traditionally prepared paints. They are available in various sizes, for example for DIN A4, B4, A3, B3, B2 and other special formats. Suitable for Studio, Workshops and Professional Use Whether for individual artwork, workshops, educational courses or professional applications – the right marbling tray simplifies the working process and supports precise results in traditional marbling art.

Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

Marbling Papers - Whit Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

Marbling Papers - Whit Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.