Marbling Materials

Ahsen Metal Marbling Tray We offer a variety of marbling trays in different materials and sizes in our store. This sheet metal marbling tray is specifically designed to perfectly fit A4-sized paper. Thanks to this feature, it ensures a clean and organized workspace. The tray surface is completely covered with paper, so excess colors do not remain on the water surface. Features: Made of sheet metal Lightweight design Edges are handcrafted and may show welding or soldering marks Compatible with A4-sized paper Dimensions: Approximately 305 x 215 x 45 mm

Marbling Brush for Sprinkling - Small The brush, made of rosewood, is used for decorative purposes. By sprinkling some paint onto the water surface with the brush, a background for further painting is created. This technique is known as the Battal technique. The brush consists of horsehair bristles and a rosewood handle. Horsehair is particularly suitable because it is firm and straight. It is also more resistant to bacteria and mold formation. Rosewood is an especially elastic type of wood that swings with every stroke over the water. This allows colors to be distributed more easily and gently on the water surface. The brush tips soften over time when dipped into the paint containers, improving the distribution of color. For a stable grip, the horsehair bristles are attached to the rosewood handle using Perlon thread. Features of this product: Horsehair bristles Handle made of rosewood Bristles attached to the handle with Perlon thread Authentic look A must-have for every Ebru artist Product Safety According to GPSR

Tiger Eye Marbling Liquid Tiger Eye marbling liquid is a special solution used in the art of marbling. This liquid is created by mixing specific chemical components in precise proportions and is offered to marbling artists. The Tiger Eye effect is characterized by the appearance of a unique droplet and line pattern in the applied colors. How is the Tiger Eye Effect Formed? When this technique is applied, a distinct droplet appears in the center of the applied color, from which lines extend outward. The resulting pattern resembles a tiger’s eye, giving it its name. Unlike traditional marbling techniques, Tiger Eye marbling liquid allows for better control over color dispersion and the creation of unique effects. Applications of Tiger Eye Marbling Liquid The Tiger Eye technique is especially favored for modern and experimental marbling works. This liquid provides artists with greater freedom, allowing colors to interact differently on the water’s surface. Its chemical composition alters the spread and speed of colors, enabling sharper and more defined patterns. This special liquid is designed for artists looking to add a new dimension to marbling art and serves as a crucial tool in combining experimental and classical marbling techniques.

Alum and Its Use in Ebru Art Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Alum and Its Use in Ebru Art Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Alum – 500 g for Fabric Marbling Alum is an essential material used particularly when decorating fabrics with the Ebru technique. It acts as a binding agent, helping colors adhere better to the fabric. Additionally, it serves as a deodorizing agent during the breakdown of butyric acid and sweat. Ebru Art on Fabric and the Use of Alum Marbling on fabric is a delicate and beautiful art form. However, fabric marbling differs in some aspects from traditional paper marbling. To ensure that colors adhere properly, the fabric must be pre-treated. This is where alum plays a crucial role. For the best results in fabric marbling, synthetic dyes should be used. Various brands on the market cater to this purpose. You can find a selection under the "Fabric Dyes" category on our website. Recommended Fabrics The following fabrics are best suited for Ebru art: Silk Synthetic Silk Satin These fabrics allow the colors to adhere properly and help create long-lasting, vibrant patterns. Preparing the Fabric with an Alum Solution Before marbling, the fabric should be soaked in an alum solution to enhance color adhesion. Here’s how to prepare the solution: Dissolve 100 g of alum in 1 liter of hot water. Soak the fabric in the solution for some time. Remove the fabric and let it dry. Once dry, iron the fabric to prepare it for marbling. Marbling and Final Processing After creating the design on the water surface, carefully place the fabric onto the marbling bath. Once the pattern is transferred, remove the fabric and briefly rinse it in cold water before allowing it to dry. To set the colors, follow these steps: Iron the fabric from the reverse side for about 5 minutes without steam. This process enhances color durability and ensures long-lasting results. Washing and Maintenance Once marbled, the fabric can be washed at temperatures up to 50°C. It is recommended to use mild detergents. Conclusion Using alum in fabric marbling ensures better color adhesion and contributes to the longevity of patterns. With the right technique, marbled fabrics can retain their vibrancy for years.

Alum Stone - 90g Alaun is mainly used when you want to marble fabrics. It acts as an odor-inhibiting agent during the decomposition of butyric acid and sweat. However, alum can also be used for marbling on paper. In this case, alum serves as an adhesive when you want to use the Ebru technique with different colors. Marbling fabrics is a very pleasant and stylish activity. First, I would like to talk about the colors we will use. By using synthetic dyes for fabric marbling, we can achieve better results. There are several brands of these dyes available on the market. For fabrics, I would recommend silk, synthetic silk, and satin. Before you start marbling the fabric, you should soak it in a solution of alum and water to ensure the colors adhere to the fabric. To prepare the solution, dissolve 100 g of alum powder in 1 liter of hot water. Then, let the silk dry, and if desired, iron it. After marbling the silk, briefly rinse it in cold water and let it dry. Once dry, iron the fabric on the reverse side to fix the colors. Afterwards, you can wash your fabrics as usual.

Bacteriostat It extends the lifespan of marbling water. Be very careful when applying. Harmful if swallowed, in contact with skin, or inhaled. Causes skin irritation. Causes severe eye irritation. May cause allergic skin reactions. May cause genetic defects. May cause cancer. May irritate the respiratory system. Keep out of reach of children. Use prescribed personal protective equipment. IN CASE OF CONTACT WITH EYES: Rinse cautiously with water for several minutes. Remove contact lenses if present and easy to do. Continue rinsing. IN CASE OF SKIN CONTACT: Wash with plenty of water and soap.

Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog

Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog

Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog

Marbling Comb (Bouquet - Zigzag) Marbling combs are an essential tool in Ebru art and are used to pattern the applied paint. The needles are evenly spaced on stainless steel. The combs offered on our website vary in comb length, allowing you to find the right comb for your tray. The combs also differ in the spacing of the individual needles, giving you the choice and freedom to vary the design of your patterns. The needles of the zigzag combs offered here are arranged in an offset manner. This allows particularly Bouquet Ebru´s* to be created. Flower patterns can be composed much more easily with these combs than with conventional combs. However, the artist's imagination knows no bounds. Needles made of stainless steel Needles arranged in an offset manner You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm, 100cm Needle spacing: 50mm *Pattern examples can be found in our blog Product safety according to GPSR

Marbling Papers - Whit Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

Marbling Papers Marbling paper is unique in its weight, as it does not need to float on the surface of the water. These marbling sheets are available in weights ranging from 50g/m² to 300g/m², with 70-90g/m² being the preferred range. Depending on the intended use, whether for paintings or bookbinding materials, the appropriate weight is selected. One of the most important features of these marbling sheets is that they should not roll up on the water or absorb water. For long-lasting marbling artworks and durable marbled images such as endpapers, acid-free marbling sheets are recommended. In our online store, marbling sheets are available in various tray sizes such as DIN-A3, DIN-A4, DIN-A2, etc.

For A3 Tray: 3-Piece Marbling Comb Set Marbling Comb Set This 3-piece marbling comb set is designed for use with A3 trays and is suitable for traditional paper water marbling. The set includes three different combs: wave comb (tidal pattern), bouquet comb, and standard comb. The combs allow the creation of various patterns and structures on thickened water and are intended for larger paper formats. Tooth spacing (standard comb): 5 mm, 7 mm, or 9 mm. Selection is made by default based on availability. A preferred spacing can be specified when ordering.

Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog

Back and Forth Marbling Comb Marbling combs are an essential tool in the art of marbling and are used to pattern the applied color. The needles are made of stainless steel and are placed at equal intervals. The combs offered on our website differ in length, allowing you to find the comb that fits your tray. They also vary in the spacing of the individual needles, giving you the choice and freedom to vary the pattern design. The needles of the back and forth combs offered here have particularly large gaps between them. This makes it easy to create back and forth marbling with zigzag patterns*. However, the artist's imagination has no limits. Needles made of stainless steel Needles with particularly large spacing You can purchase the following comb variants from us: Comb lengths: 35cm, 50cm, 70cm Needle spacing: 20mm, 30mm *Find pattern examples in our blog

Paint Jars Paint jars used in the art of Ebru should be glass containers with tightly sealed lids. Glass material preserves the quality of the paints and minimizes air contact. However, storage conditions are also crucial. In low humidity environments, jars can remain open for a long time, whereas in high humidity regions, especially in countries like Germany, paints may begin to mold if jars are left open. Additionally, paint jars must be clean and hygienic. Dirty jars or those containing residues of different paints can alter the chemical composition of new paints. Therefore, it is recommended to clean the jars thoroughly after each use. The size of the jars is also important in terms of usability. Very small jars may tip over when a brush is dipped in, causing mess, while in very large jars, the paint may develop an unpleasant odor and deteriorate in consistency over time. For this reason, we have determined the ideal jar sizes. These jars, which increase work efficiency and provide practical use, are available in 50 ml, 105 ml, and 205 ml capacities. These sizes are the most suitable for both professionals and beginners. By using glass jars, you can safely store your paints for an extended period. Recommended Jar Sizes: 50 ml: Ideal for small projects or floral paints. 105 ml: Perfect for medium-scale works. 205 ml: Best suited for large projects and long-term use.

Karin Awl 3-Piece Set In Ebru art, awls play an important role. These tools are made of stainless metal and mounted on a wooden handle. They are available in different thicknesses, ranging from 0.5 mm to 5 mm. Awls are used to transfer colors onto the surface of the water. In addition, they are used to shape the applied colors. There are awls in different thicknesses as well as in special shapes designed for various floral motifs. These special awls are called "flower awls." Awls with multiple needles placed side by side are known as "hyacinth awls." These products are available on our website, where you can find more information.